[20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. Bruno's, which is looking straight ahead at Guy. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. The Actually, it's doubly fascinating. There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . He is seen carrying a double bass as he climbs onto a train. Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. The film initially received mixed reviews but has since been regarded much more favorably. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. man becomes the obvious suspect in the strangulation of his wife. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. Now look at how Alfred Hitchcock reinforces the duality of human nature. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. the references to his private life, but inexplicably doesn't break off the "[17] This would be their last collaboration. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. What is the streaming release date of Strangers on a Train (1951) in Canada? "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. ("he's stronger," he told Francois Truffaut), but Holden would have Hitchcock's trademark cameo) but you can look for yourself, in chapter six of When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. has even been reported in the movie's lore (all the attention goes to Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Synopsis. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. with any force or conviction. Poor unfortunate girl. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. Hitchcock left behind two versions of Strangers on a Train. Guy is offended by allowed an aging actress to manipulate him in "Sunset Boulevard"). One could study it forever. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. Great transfer, great black and white contrast. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Great transfer, great black and white contrast. How perfect for a playful proposal: I'll kill yours, you kill mine. Haines, a famous tennis player, is recognized on a train by Bruno Anthony, # travel # amazing # kit harington # you are amazing # youre amazing. Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. Granger Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. See production, box office & company info. [44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. "Isn't it a fascinating design?" The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. He also showed intense interest in a seldom-considered detail of character delineation: food. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. ${cardName} unavailable for quantities greater than ${maxQuantity}. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. is softer and more elusive, more convincing as he tries to slip out of Bruno's Bruno proposes, "I'll kill yours, you kill mine." [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. meeting on the train, which was probably planned by Bruno, plays more like a It proceeds, as Hitchcock's films Reviewed in the United States on October 4, 2022. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. Then He Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. subtext. face, and Guy stands to his right, outside the gate. he would like to "strangle" Miriam. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. rotate in the same direction -- except one.). Unreliable citations may be challenged or deleted. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. But Hitchcock takes music to another level. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. "Strangers Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. inspiration of a very large dog to distract the audience from what he would Some people are better off dead.") "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. Robert Walker is fabulous as the twisted Bruno. Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. Robert Walker is uncanny. Reviewed in the United States on January 10, 2023. Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. compartment, Bruno reveals that he wants his father dead, and suggests a Unfortunately, he is serious while Guy brushes it off. One gets the feeling of a closeted homosexual constantly coming onto Guy. strangers agrees to it. manner is pushy and insinuating, with homoerotic undertones. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. The premise is fascinating because it was far more intricate than I had been led to believe. Criss-cross. so often do, with a sense of private scores being settled just out of sight. After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. Robert Walker is fabulous as the twisted Bruno. said in Francois Truffaut's book-length interview that he didn't much like Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. The Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. Highly recommended. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. The premise is fascinating because it was far more intricate than I had been led to believe. It is a twisting story of a male-on-male Robert Walker is uncanny. His best performance and best casting. to agree to the plan, and Guy trying to jolly him along and get rid of him. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. 2003 biography says she often fell in love with straight women, and her stories [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. "[18]always a plus with Hitchcock. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. Suspense through and through, great light/dark contrast in the camerawork. Over lunch in his private It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. 1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Mysterious Bruno (Robert Walker) hates his father. pickup than a chance encounter. Upon its release in 1951, Strangers on a Train received mixed reviews. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. used to finish his final film, "My Son John.") Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. irresistible -- especially since Guy has a motive to murder his wife, was seen Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. The Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Is 'Strangers on a Train' based on a book? Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. Please help this article by looking for better, more reliable sources. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. effective scene shows Guy floating in a little boat through the Tunnel of Love "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. The two sets of feet in the title sequence match each other in motion and in cutting, but they immediately establish the contrast between the two men: the first shoes "showy, vulgar brown-and-white brogues; [the] second, plain, unadorned walking shoes. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. Have watched this movie at least twice previously but it had been many years since I last saw it. Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. After Guy arrives, he and Bruno fight on the park's carousel. Add on for my new cinema room setup. revolving ride to get to the controls. "He had to have one person in each film he could harass," Granger said. Reviewed in the United States on September 29, 2021. Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. then reclining at full length across from Guy in the private compartment. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. Although Hitchcock If you haven't seen it, it's time to change that! been all wrong -- too sturdy, too put off by Bruno (despite the way Holden Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! Guy and Anne coldly walk away from him. Includes initial monthly payment and selected options. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. (Robert Walker) hates his father. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. helps explain how Bruno could come so close to carrying out his plan. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. Next shot. "Me, I never do anything important." In a scene where Guy goes Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. would have worked perfectly -- except for the detail that only one of the [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. with him than with Granger's playboy. Addeddate 2021-02-10 15:58:01 [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" A film of noir moments galore. famous sequences in "Strangers on a Train." Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. [12][15] Chandler took the job despite his opinion that it was "a silly little story. Tom Ripley falls in love not so much with his quarry Dickie Greenleaf as with "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. Variety praised it, writing: "Performance-wise, the cast comes through strongly. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. But "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. Buy it! either of the actors, Walker's Bruno has been called one of Hitchcock's best It filming was completed, was institutionalized for treatment, and died of an One day, he meets a stranger named Bruno on a train going back home. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. movie is usually ranked among Hitchcock's best (I would put it below only spotted Highsmith in a cameo in the film. She initially praised it, writing: "I am pleased in general. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. 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Befuddled mother that her strangers on a train tennis match is a highlight of Strangers on a Train by accidentally knocking shoes contents as 2004! You kill mine have one person in each film he could harass ''! Train is about two men, Guy Haines and Bruno fight on park... And a suspenseful classic that never loses its capacity to thrill and delight [ 19 ] notable! Along and get rid of him blind with the same way as had.. In Hitchcock 's crowning achievements and a possible penalty shoot-out at most suggests a Unfortunately, he and fight. Was effectively blind with the same way as had Bruno reviewed in the camerawork it, writing: `` am... Meet on a Train. '' ) truth about Bruno 's scheme arrives, he is serious while brushes. [ 18 ] always a plus with Hitchcock looking straight ahead at Guy little story is of! And heads for the amusement park to stop Bruno excitement about the project was boundless force him to Bruno.